Friday, June 18, 2010

Sun Signs Out, Sets Off Home, Over Dark Daymark Outdoors

 

The sun signs out from a full day's work. It sets off for home and sets off a home on the water in brilliantly dark silhouette.

In time, the sun sets over a dark daymark, set in the channel, splitting the sun's reflections on the water, separating shallow water from deep, providing one more geometric and symmetric element in this imagery, this memory — electronically etched in the silicon of a memory card, eternally aligned in the magnets of a hard drive, permanently painted on the neurons of a mind dazzled by the sights it saw in a wondrous lifetime.

Stiltsville, in the channel outside Biscayne Bay in Miami, Florida, is a place I have seen more spectacular marine sunsets from my yacht than any place else.

Just idling the engines, soaking in the sights of the ends of a passion filled afternoon, the juices of the day melting over the shades of dusk, I captured this with my Nikon D300. No cropping.

I saw the sign, the sun, out of the blue and into the red, and my sun sign (Gemini) made me see the duality of the moment melding time and tide flowing past and rising ahead. It made me vow, like the sun set to rise again, I too would be back, to make new memories, of another day, on another day. Amen.

 

© 2010 IMRAN 
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PS1 No color processing, only frame & title added in Photoshop. I could have reduced highlights on the sun and lightened shadows on the house and sign but just wanted to savor it as it was.

PS2 I did notice a stunning amount of greater detail in this image the Nikon stored as a TIFF compared to the JPGs I normally save. The camera has a memory card large enough to store TIFFs in any outing. But at that time I was concerned about the iPhoto library growing too large for my MacBook Pro's hard drive. Even with 99% images as JPGs it is already over 50GB. With another 60GB for my iTunes library, pretty soon, I'd have no space left for anything else.

PS3 The horizon IS level. The water gets shallower to the left and the sky was darker to the right, making the satiny reflection appear dipping towards the left, but you will see the actual horizon is level.

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